Very nice job. Sounds great!

I would say blues chromatic is more difficult. They are very different however, but I think for most players, unless you already are familiar with the chromatic, the chromatic is more difficult.

it's not "nine below zero" but it's "the key to your door"...with my son :DDDDDD

Nice cupped "wah" sound! Good groove. good job.

and the father isn't too bad, either!

Hi Gagi - Good job! Nice bright, clear, tone. Good Sonnyboy type, vibrato too!

😂‼️ Hi Gagi - I didn’t start doing that until I had already been playing about 20 yrs. I think everyone should get a good command on the harp WITH their hands first, before they start messing around with tricks.

yes yes , know it... previous comment is little joke :DDDDD

Hi Gagi - You are doing the right thing for now by building up your repertoire of licks, and knowledge of how great players play the instrument. That will be your basis from which you start building your own ideas and start creating your own musical statements. It's a long process to be an accomplished improvisational player, but that is the beginning of it. Make sure that you allow time for yourself to practice jamming in your practice time....and this is also something that I work on with my students in my Live 1-on-1 lessons if you are interested. It is approached differently for every student depending on your skill level, your technique, and your thinking....let me know if you are interested! Thank you!

yes I'm interested....where can i find it,on badassharmonica? I'm living too far from united states and if it possible I can do this with online...

Right here on Sonic Junction, in the upper right corner of the menu it says "skype lessons"....look for me in that link. Thank You! it is all done online LIVE

Hi Gagi - That’s a very good question with no one simple answer. You’re doing the right thing by copying and listening. I think of improvisation like speaking a language, and copying and listening are the first steps in learning the language. When you’re listening, try to think of and understand why certain things are effective - For example, when somebody leaves a well-placed space, it creates tension and naturally triggers a feeling of anticipation in the listener. So, think of all the different elements that are effective to you, when you listen. Contrast long tones with short notes. Contrast different textures. Contrast repetition with surprise - These are a few of the things that I was able to learn by listening and then thinking about why, what I was listening to, was effective. Also, try using the Sonic Junction backing tracks to play something different than the study piece. For example, if I begin with a long note, you try playing a series of short, rhythmic notes instead. If I’m beginning a phrase on the 5 hole, draw, you can try beginning on a different hole and see where it takes you. And, don’t be afraid to make mistakes! The more you try to play your own ideas, the more comfortable you’ll become doing it, and you’ll eventually get more ideas and begin to make fewer mistakes. Try these things, Gagi and let me know if this helps.

Nice job, man! Sounding good!!

thanks a lot Mr.Jerry...after the first listening to this solo I decided to play this crazy instrument...

Thanks for the reminder Gagi -- the backing track is now up.

Hi Gagi - I'm real glad you like the song. I'm tongue blocking the entire song. If you don't feel comfortable tonguing, I'm sure the song could be replicated using a combination of tonguing and lipping, however, ideally, it's good to be able to do either one at will.