Dear Jerry, I'm listening to you since a long time, because I like the smooth way you use to play chicago blues. I saw you in my town, south of France at the end of the seventies, playing with Muddy Waters. It was so great ! Since this time, I'am playin harmonica for more thirty years in various bands, but I'm still not satisfied of my vibrato. I do not understand how to do it with drew notes and moreover bend notes. My aim would be to to understand how the Wolf did such a vibrato (the throat, diaphragm ?). I'm also so impressed by the vibrato of one of my favorite harmonica players, Alan Wison, and the Lester Butler's one (which are very closed). I understand it should be difficult to explain it by writing, but... Anyway thank you to your lessons, and also to be one of the musicians who pushed me in this way. Life is easier when I blow in my harp. I apologize for my poor english (I'm french).
Dear Jerry, I'm listening to you since a long time, because I like the smooth way you use to play chicago blues. I saw you in my town, south of France at the end of the seventies, playing with Muddy Waters. It was so great ! Since this time, I'am playin harmonica for more thirty years in various bands, but I'm still not satisfied of my vibrato. I do not understand how to do it with drew notes and moreover bend notes. My aim would be to to understand how the Wolf did such a vibrato (the throat, diaphragm ?). I'm also so impressed by the vibrato of one of my favorite harmonica players, Alan Wison, and the Lester Butler's one (which are very closed). I understand it should be difficult to explain it by writing, but... Anyway thank you to your lessons, and also to be one of the musicians who pushed me in this way. Life is easier when I blow in my harp. I apologize for my poor english (I'm french).
JL